The Alhambra |
Since it is so large and so popular, I made reservations for a Viator "skip the lines" tour, which was billed as having pick-up between 9:15 and 9:45. When I called to set up hotel pick-up, the said they would be there at 10:00 and then they were a little late. Once we drove up the hill to the Alhambra tour staging area, it was still another 30 minutes or more -- a very confusing, disorganized 30 minutes -- until we went in the gates. Despite the slow start, I am glad we took the tour. The Alhambra is large and complex and I am not even sure you can access all areas if you are not on a tour.
It is really something |
I have never seen anything like it |
The Alhambra has gardens and views |
Moorish designs |
There was an almost-hundred-year pause in maintenance of the Alhambra starting in the 18th century and, during French domination, substantial portions of the fortress were blown apart. The repair, restoration and conservation that continues to this day did not begin until the 19th century. Interestingly, it was American Author Washington Irving who stirred Spanish enthusiasm for preserving the Alhambra with his book, Tales of the Alhambra, a collection of essays, verbal sketches, and stories. Irving lived in the palace while writing the book.
Ceiling |
First, we visited the Generalife (literally, "Architect's
Garden"), a garden attached to the Alhambra that served as a recreation
area for the Muslim kings. Built 1302-1309, the gardens were redecorated in
1313-1324, making it difficult to know the original appearance of the
Generalife.
With a good climate, the outdoors were important |
The area was also used to grow crops to feed the inhabitants of the Alhambra.
The complex consists of the Patio de la Acequia (Court of the Water Channel or Water-Garden Courtyard), which has a long pool framed by flowerbeds, fountains, colonnades and pavilions and the Jardín de la Sultana (Sultana's Garden or Courtyard of the Cypress). The former is thought to best preserve the style of the medieval Persian garden in the ancient Iberian Muslim realm of Al-Andalus.
The gardens underscore how good the Moors were at dealing with hot, dry climates. Even with an intense sun, the Generalife gardens seem calm and cool.
In addition to lush gardens and fountains, the Generalife houses a
summer palace – which seems odd since it is within sight of the main Alhambra
palaces. But, it was used as a retreat from the tedium of official palace life.
The only remaining cypress tree from the early gardens is in the center |
A beautiful ceiling and arches |
The palace is lovely, showcasing some extraordinary plaster and
tile work. Since Islam prohibits artistic representation of humans, the designs
are restricted to geometric designs, flora and inscriptions. This lends itself
well to plaster detailing – which was created using templates that were pressed
into wet plaster.
Old foundations |
It would be interesting to stay there |
Pretty windows |
Palace |
After the conquest of Granada, Ferdinand and Isabella
altered some palace rooms and lived part of the time in the Alhambra, but they
didn’t construct any major buildings.
Holy Roman Emperor Charles V,
however, wanted to construct a permanent residence befitting an emperor
and, in 1527, he tore down some buildings and built his palace, which
was not really completed until much later.
The complex currently includes the Museum of the Alhambra, with objects mainly from the site of the monument itself and the Museum of Fine Arts.
The complex currently includes the Museum of the Alhambra, with objects mainly from the site of the monument itself and the Museum of Fine Arts.
Although the Alhambra was built with additions over many years, each new
section that was added followed the consistent theme of "paradise on
earth."
Intricate patterns |
Column arcades, fountains with running water and reflecting pools
were used to add to the aesthetic and functional complexity. In every case, the
exterior was left plain and austere.
Blue,
red and a golden yellow, all somewhat faded through lapse of time and exposure,
are the colors chiefly employed.
Colors |
The decoration consists, as a rule, of Arabic inscriptions ....
Arabic design |
... that
are manipulated into geometrical patterns ...
Shapes |
... wrought into arabesques.
Amazing |
Painted
tiles are largely used as paneling for the walls.
Nice paneling |
The palace complex is
designed in the Mudéjar style, which is characteristic of western elements
reinterpreted into Islamic forms and widely popular during the Reconquista.
Looking up |
Ceilings are ornate ...
Looking further up |
... as are beams ...
Incredible |
... and arches ...
This one appears to have been filled in (but the arch wasn't sacrificed) |
The design included plans for six palaces, five of which were
grouped in the northeast quadrant forming a royal quarter, two circuit towers,
and numerous bathhouses.
The Alhambra's most westerly feature is the Alcazaba (citadel), a
strongly fortified position.
The roof is maze |
All that remains are its massive outer walls,
towers and ramparts, including the 85 ft. high Torre de la Vela. A turret containing a large bell was added in the 18th century and restored after being damaged by lightning in 1881.
We climbed up for magnificent vistas.
The city of Granada |
Below,
on the Plaza de Armas, is a bath house/steam room and foundations from the
soldiers’ garrison.
Old baths |
The Royal Complex consists of three main parts: Mexuar, Serallo,
and the Harem. The Mexuar is modest in decor and houses the functional areas
for conducting business and administration. Strapwork is used to decorate the
surfaces in Mexuar.
Dark wood ceilings, floors and trim are sharp contrast to white plaster walls |
Serallo, built during the reign
of Yusuf I in the 14th century, contains the Patio de los Arrayanes (Court of
the Myrtles).
Brightly colored interiors feature tile panels ...
More of those basic colors |
... highly decorative
ceilings ...
Beautiful patterns |
... and other woodwork.
Something different everywhere you look |
The Harem is also elaborately decorated and
contains the living quarters for the wives and mistresses of the Berber
monarchs. The fretwork in windows allow residents to look out without being seen.
The Salón de los Embajadores (Hall of the Ambassadors) is the
largest in the Alhambra and occupies all the Torre de Comares. It is a square
room, the sides being 37 ft. in length, while the center of the dome is 23 75
ft. high.
High windows |
This was the grand reception room, and the throne of the sultan was
placed opposite the entrance. It was in this setting that Christopher Columbus
received Isabel and Ferdinand's support to sail to the New World. The tiles are
nearly 4 ft. high all round, and the colors vary at intervals. Over them is a
series of oval medallions with inscriptions, interwoven with flowers and
leaves.
There are nine windows, three on each facade, and the ceiling is
decorated with white, blue and gold inlays in the shape of circles, crowns and
stars. The walls are covered with varied stucco works, surrounding many ancient
escutcheons.
Looking up |
It contains the only original floor tiles in the Alhambra.
Very old tiles |
The Court of the Lions (Patio de los Leones) is an oblong
courtyard, 116 ft. by 66 ft., surrounded by a low gallery supported on 124
white marble columns.
Another courtyard |
A pavilion projects into the court at each extremity,
with filigree walls and a light domed roof.
Three consecutive arches |
The square is paved with colored
tiles and the colonnade with white marble, while the walls are covered 5 ft. up
from the ground with blue and yellow tiles, with a border above and below of
enameled blue and gold. Colors are original; restored areas are not enameled.
Original colors |
The columns supporting the roof and gallery are
irregularly placed. They are adorned by varieties of foliage; about each arch
there is a large square of stucco arabesques; and over the pillars is another
stucco square of filigree work.
There are no words for this |
In the center of the court is the Fountain of Lions, an alabaster
basin supported by the figures of twelve lions in white marble.
Not designed to be accurate, but to symbolize strength, power and sovereignty |
Each hour one lion would produce water from its mouth. At the edge of the great
fountain there is a poem written by Ibn Zamrak.
Now, all the lions spout water at once |
The ornate domes have "stalactite vaulting," ...
Very three-dimensional |
... so called because of the pieces that hang down.
I am glad I don't have to dust this |
Color |
... columns ...
... Moorish windows ...
... enameled embellishment ...
Unbelievable |
... and fountains and gardens.
Ahhhhhh..... |
Trip date: April 25-May 15, 2015
No comments:
Post a Comment